This book is not new, nor am I the first to talk about how wonderful it is. One Crazy Summer was well-received when it was published in 2010, winning plenty of deserved accolades––look at all those lovely stickers!––including the Coretta Scott King Award.
I finally got to dive into this middle grade novel a couple weeks ago. And there’s no way I can’t blog about it. It’s just that good.
Hearing Rita Williams-Garcia at SCWBI-NY last February was one of the highlights of my year. She spoke frankly about being a writer, being a black woman writer, her early career, and especially her journey to publication. Lucky for us, she persevered until she got there––because her books have so much to teach us as readers, authors, and human beings.
Here are a few things One Crazy Summer can teach kidlit writers, especially those taking on tough, complex topics from a young person’s perspective.
1. Don’t let your readers off easy.
One Crazy Summer is the story of the three Gaither sisters, who fly from New York City to Oakland, California, to visit their mother. Their mother left them and moved across the country when the youngest one was just a newborn.
Cecile, also called Nzila, is one of the most complex mother figures I’ve seen in a children’s book. Often moms in kidlit fall into very clear Good or Bad camps. They’re present and caring; or present and standing in the way of whatever the protagonist wants to achieve; or completely absent (hello, every Disney movie ever), thus enabling the young MC to get up to their shenanigans, no maternal supervision involved.
But Cecile is different.
For a long time, she’s chosen not to be part of her three girls’ lives. And when the girls arrive to California, Cecile makes it very clear she didn’t ask for them to come visit her, and didn’t particularly want it. She prioritizes herself and her poetry, and guards her resources and her time carefully.
Delphine, the oldest sister and the narrator, arrives to California hungry for what, in her mind, qualifies as traditional “mothering”: home-cooked meals, affection, and hugs. But Cecile’s not giving any of it. In fact, she promptly sends the girls off to a nearby day camp run by the Black Panthers, so she can continue writing her poetry in peace.
But Cecile does offer her girls something: a hard-won wisdom, which she imparts especially to Delphine.
Delphine is practical and responsible, tough on herself and those around her. She’s a planner and a cook and caretaker. After many days of watching Delphine care for the younger girls, Cecile tells her, “It wouldn’t kill you to be selfish, Delphine.” And it’s tough to take, even for the reader. Because Delphine is like this in large part because she’s grown up playing stand-in mother to her younger sisters.
Cecile has a point, though. And she expresses it––and embodies it––beautifully:
“We’re trying to break yokes. You’re trying to make one for yourself. If you knew what I know, seen what I’ve seen, you wouldn’t be so quick to pull the plow.”
Cecile also questions her daughters’ obsessions with television and movies and challenges them to critique what they see. She offers them freedom and independence, and models a different way of moving in the world as a woman.
Williams-Garcia never makes it easy for us to love Cecile. Instead, she respects her character and her readers, challenging us to see all the shades and gradients in Cecile, as a mom and as a human being.
2. Great middle grade books are incredibly simple and wonderfully complex, all at once.
On one level, One Crazy Summer is a very simple story. Throughout the book, Delphine’s main goal is to keep her sisters safe, fed, and happy while they’re reconnecting with their mother. She needs to convince her mother to let her cook for her sisters. She worries when her youngest sister is mocked for her doll. She wants to get along with everyone at the Black Panthers day camp, and thinks, maybe, maybe, the cute boy she met there might be interested in being friends…
Yet there’s a whole other level to the story, too. The girls are uncovering new parts of their family history and discovering what it means to be young and black in the US. They’re absorbing disturbing, dissonant realities about power and policing, a government that isn’t protecting all its people equally, and a mother who may not be able to give them the kind of love they expect.
In the tradition of the best middle grade books, One Crazy Summer deftly mixes small, day-to-day conflicts with larger, more nuanced questions and themes. It’s this mixture of the low and high, the simple and complicated, the specific and the universal that makes One Crazy Summer such a powerful work.
Williams-Garcia is a master, and I could go on and on about what this challenging, heartwarming, wonderful novel has to teach us. But my best advice is just…
Read it! Love it! And share it with a friend.
And––perhaps the best news about One Crazy Summer? It’s only the first of three Gaither sisters books! P.S. Be Eleven came out in 2013, and Gone Crazy in Alabama came out just last year.
I know I’ll be reading the rest soon. The only thing holding me back is how sad I’ll be when it’s time to finally tell Delphine and her sisters goodbye.
Want to chat about One Crazy Summer and other great MG and YA titles? Find me on Twitter @beckererine.